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The Psychology of Interior Design: Why We’re So Drawn to Antiques

  • Writer: Patrick Ediger
    Patrick Ediger
  • Jul 9
  • 4 min read

Updated: Aug 5

There’s something undeniably magnetic about antiques. A timeworn dresser. A leather chair with just the right amount of give. A crackle oil painting whose original subject and artist are both long gone from this world. These pieces have a way of pulling us in, even if we can’t quite explain why.


But there is a reason, and it goes deeper than aesthetics.


In a recent House Beautiful piece, psychologist Ashley Krause explored the idea of place authenticity, a term used in environmental psychology to describe why certain spaces feel more alive, more rooted, and more emotionally resonant than others. It's not just about beauty. It's about meaning.


“Place authenticity refers to the unique essence of a place that makes it feel genuine, alive, and connected to its history, culture, or community,” Krause explains. And that explains a lot—like why an offbeat vintage shop can feel more comforting than a well-lit showroom, or why a secondhand table might hold more emotional weight than a brand-new one.


Authenticity, it turns out, isn’t a look. It’s a feeling.


Man in jeans and beige shirt stands by large ornate wooden doors with rusted metal designs, on a dirt floor, conveying a rustic atmosphere.
A pair of towering antique doors from medieval France I came across in Round Top, Texas. Would’ve loved to bring these beauties home with me.

Designing with Memory


For me, that sense of layered meaning in a home didn’t come from my education but influence. It started with my grandmother.


She spent the decade after WWII living in Europe while my grandfather served in the military, stationed in Italy and Germany. During those years, she developed a love for antiques, not as status symbols, but as a way to fill her otherwise sparse home. She collected thoughtfully and with restraint, always choosing pieces that spoke to something deeper: craftsmanship, history, resonance. When they moved back to the States at the end of the 1950s, those pieces came with them and formed the backbone of their home.


Her style wasn’t about perfection. It was about balance and warmth. She had this rare ability to make a space feel collected rather than decorated. Elegant but never stuffy. Her influence is everywhere in my work, not just in the way I approach furniture and form, but in the belief that a home should reflect the life lived inside it.


Black and white photo of a woman in a dress holding a baby on a sofa in a vintage living room. A lamp on a side table and a landscape painting are in the background.
A cherished moment from 1952: my grandmother holding my mom as a baby in their Heidelberg home. Behind them hangs one of the first pieces in her collection, a painting of the Munich clock tower that still hangs in my parents’ home today.

Why Antiques & Vintage Resonate


According to Krause’s research, place authenticity tends to show up in a few specific ways: sensory richness, cultural or historical reference points, and emotional connection. Antiques deliver all three.


  • They feel lived-in. That slight squeak in an old dining chair or the worn edge of a table isn’t a flaw. It’s a clue. Someone was here before you.


  • They slow things down. Unlike fast furniture, vintage pieces ask for patience. You don’t just “add to cart.” You discover them.


  • They anchor the new. Especially in contemporary spaces, antiques add weight. They keep a room from feeling like it was assembled overnight.


In newer homes, this becomes especially important. The architecture may be fresh and pristine, but that doesn’t mean the space needs to feel sterile. Introducing vintage pieces—whether it’s a Danish sideboard, a hammered iron wall sconces, or a worn leather armchair—breaks up the uniformity and helps a space feel more grounded. Authenticity isn’t just a design goal. It’s a psychological comfort.


Industrial-style loft space with an antique iron console table, green fern, and brass gazelle statue. Art on walls, bright windows, and a David LaChapelle book.
One of my all-time favorite vintage finds: an iron console cut from parts of a 1920s French machine. It’s right at home in my space. Sculptural, storied, and a little rough around the edges.

The Chair


There’s one piece in my own home that encapsulates everything I believe about design and memory: a leather armchair and ottoman passed down through my family.


It wasn’t one of my grandmother’s European finds. It originally belonged to my great-grandparents and eventually landed in my grandparents’ home, where I spent much of my childhood. Some of my earliest memories are of sitting in that chair with my grandfather, him reading the paper while I turned pages of my own picture book, sneaking sips of his coffee, and bites of his toast.


After he passed, the chair became a quiet presence in my grandmother’s house, something familiar and reassuring.


Years later, after her passing, I became its next steward. I reupholstered it in striking sapphire blue leather, stripped the original dark-finished legs to reveal the raw blond wood, and gave it new life while keeping its soul intact. It’s survived generations of grandkids, a tragic fire, a cross-country move, and multiple reincarnations. It’s where I read, where our dogs curl up, and where I sip cocktails at the end of the day. And every time I sit in it, I’m reminded that great design isn’t about perfection—it’s about presence.


Is it stylish? Absolutely. But more than that, it holds my history. And every time I sit down, I sense it.


Patrick Ediger relaxing on a blue chair, reading a magazine. His dog rests nearby on a cozy Moroccan rug. Green plants and flowers create a warm, bright room.
Me, Nance, and the beloved blue chair in our living room—the kind of spot that’s seen plenty of late-night conversations, morning coffee rituals, and everything in between.

Where the Story Lives On


Antiques and vintage pieces speak to something deeper than style. They hold the weight of memory, the trace of hands and lives that came before us. When we bring them into our homes, we’re not just adding character; we’re continuing a story.


That’s the essence of place authenticity. It’s not about chasing what’s current. It’s about honoring what lasts. The pieces we choose, the ones we live with and live through, become part of who we are. They connect us to the past, to ourselves, and to the kind of home that doesn’t just look good but feels meaningful.


My grandmother understood this instinctively. Her home wasn’t a museum (but God help you if you walked on the living room carpet with your shoes on). It was the kind of place where beauty mattered, and so did intention. Everything had an unspoken narrative, a purpose, and a presence that made it feel worldly. And yet, somehow, it still felt warm, welcoming, and deeply personal. That lesson stays with me. In the end, it’s not about perfection. It’s about resonance. A space that holds your story, reflects your values, and evolves with you, that’s what makes a house feel like home.


When you're ready to bring your home to that next level—Patrick Ediger Interior Design is here to help.


XO

PE


 
 
 

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